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Cinemateca, May 25–31, 2009 The Overture (2005)
The Tip Important:
In order to provide the best viewing experience, the show times for some movies may be adjusted to accommodate their length. Be sure to check the schedule carefully. I also want to remind you of our new ticket price: 60 pesos and discount cards buy 12 shows for 550 pesos. Starting Monday, after 11am, buy your tickets in advance for any movie or show of the week. If you have a discount card, collect your pass to secure a seat; don’t take the risk of being locked out. Would you like to receive this info by email? Write to José Luis at
alephamour@hotmail.com. Thank you.
This ambitious attempt to film a portion of Marcel Proust’s Remembrance of Things Past stars Irons as Charles Swann, a Jewish intellectual who has managed to overcome growing anti-Semitism in nineteenth-century France and travels in an elite social circle. But Swann has become obsessed with Odette (Muti), a courtesan who cares more for money than Swann’s passion for her. In time they marry, but Swann soon realizes his desire for her is based purely on physical lust for someone with whom he has no rapport, or even much affection, and the relationship begins to erode the social acceptance Swann struggled to achieve. Un Amour de Swann was praised for its production design and the cinematography of Sven Nykvist, though many felt director Schlondorff failed to capture the novel’s narrative depth and complexity.
Tennis pro Chris Wilton takes a job as a instructor and hits it off immediately with one of his students, wealthy young Tom Hewitt. Tom introduces Chris to his family and Chris falls quickly into a romance with Tom’s sister Chloe. Despite the growing certainty that Chris and Chloe will marry, and the advantages that come Chris’s way through his relationship with the Hewitt family, Chris becomes increasingly intrigued and eventually romantically involved with Tom’s fiancée, Nola Rice, a struggling American actress. Their passionate trysts leave Chris in danger of losing the wealth and position he has now come to enjoy. The only solution to the dilemma seems unthinkable.
Radio host Erica Bain (Jodie Foster) is living a wonderful life in New York City. One night she and her fiancé, are brutally attacked by three thugs in the park while being recorded by one of them. David is killed and Erica is beaten badly, traumatized to a point where she cannot sleep and will not leave her apartment. To work past this tragedy, Erica buys a gun roams the streets at night looking for revenge on the men responsible for killing her one true love. Erica protects herself in a convenience store shooting and later dispatches two would-be rapists on the subway. New York is fascinated by the vigilante killer and Detective Mercer (Terrence Howard) is on the case. Erica befriends Mercer, who faces a dilemma when she finds the three men.
The backdrop to Sorn’s life tale is the story of Thailand’s classical music from its golden age during the reign of King Rama V to near extinction after the end of the absolute monarchy when the government banned it as uncivilized in the thirties, a time when Field Marshall Plaek Pibulsongkram tried to push the Kingdom into the modern era. The film shifts back and forth from the time when Sorn was a young man, playing in a xylophone duel with the intense Kun In, to the forties, when Thailand was under Japanese occupation and Sorn’s playing would provide some inspiration to the oppressed citizenry.
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