Cinemateca, August 18, 2006

José Luis’s Pick and Tips:


The pick: Tsotsi

How strange: a movie in which a bad man becomes better, instead of the other way around. Tsotsi, a film of deep emotional power, is the story of a young killer whose cold eyes show no emotion, who kills unthinkingly, and who is transformed by the helplessness of a baby. He didn't mean to kidnap the baby, but now that he has it, it looks at him with trust and need, and he is powerless before eyes more demanding than his own. The movie, which won the Oscar for Best Foreign Film, is set in Soweto, the township outside Johannesburg where neat little houses built by the new government are overwhelmed by square miles of shacks. There is poverty and despair here, but also hope and opportunity; generations of politicians, entrepreneurs, artists and musicians have come from Soweto, as if it were the Lower East Side of South Africa. Tsotsi (Presley Chweneyagae) is not destined to be one of those. We don't even learn his real name until later in the film; "tsotsi" means "thug," and that's what he is.

The tips:

Please take note that in order to provide the best viewing experience, the show times for some movies may be adjusted to accommodate their length. So please double-check the times in your schedule. Also, please remember our new ticket price of 50 pesos. 

Discount cards are 400 pesos for 10 shows. 
On Monday after 4pm, buy your tickets for any selection of the week. Don’t take the risk of being locked out! Nos vemos en el Cine….

Tsotsi (2006)
Monday, August 21, 5pm
Tuesday, August 22, 7pm 
Zulu with English subtitles, 94 minutes 
Director: Gavin Hood
This Oscar-winning Best Foreign Language film shows that no soul is too far gone to be reformed. After shooting a woman and driving off in her car, Tsotsi (Presley Chweneyagae), a ruthless thug, is surprised to discover he isn't alone: there is a crying infant in the back seat. He grudgingly takes the child home, and through his efforts to care for the tyke, Tsotsi slowly rediscovers his compassion, self-respect and capacity to love.

My Name Is Bill W. (1989)
Tuesday, August 22, noon
English with Spanish subtitles, 100 minutes
A discussion follows the movie 
This program runs every Tuesday at noon until October 3
Director: Daniel Petrie
Based on the inspiring true story of the founder of Alcoholics Anonymous, this moving drama stars James Woods in an Emmy-winning performance as Bill Wilson, a successful stockbroker who loses everything in the 1929 stock market crash. After succumbing to depression and drink, he eventually sobers up with the help of fellow recovering alcoholic Dr. Bob (James Garner). With newfound hope for the future, the two create the now-famous support group. 

Bioneers Summer Film Series
Indigenous Wisdom and Ethics of the Land
Tuesday, August 22, 5pm 
Jeannette Armstrong, a Canadian author and artist from the Okanagan people, is also a renowned leader in indigenous and environmental education. She speaks of council ways, ethics of the land, and how these can be integrated into environmental education. John Mohawk, of the Turtle Clan Seneca people, addresses the issues of war and conflict, religious intolerance and scarce resources from the perspective of older traditions such as the Iroquois, who created frameworks for treaties of peace and friendship.

Art Special: Homage to Chagall (1977) 
Wednesday, August 23, noon
English, 90 minutes
Director: Harry Rasky
This Emmy-award winning documentary pays special tribute to the iconic artist with images of his magnificent paintings. Marc Chagall and his wife, Vava, also give fascinating interviews detailing Chagall's work, life and unfailing commitment to his Jewish faith.


Global Justice Film

Why We Fight
Thursday, August 24, 3pm
Directed by Eugene Jarecki, the film examines the extent to which the "military-industrial complex" not only profits from war but also becomes a force that makes war happen. With the use of graphic war footage, a visit to a weapons trade show, and interviews with politicians, ordinary citizens, and retired military officers, Jarecki dispels the notion advanced by Presidents Johnson, Reagan and Bush that America has been a force for peace in the world. Instead what we see is a militaristic nation in which capitalism is at war with democracy —and capitalism is winning.

The Life and Times of Frida Kahlo (2005)
Friday, August 25, 3pm
Tuesday, August 29, 3pm
English with Spanish subtitles, 90 minutes
Director: Amy Stechler
Rita Moreno narrates this documentary that chronicles the life of artist Frida Kahlo. The biography reveals Kahlo's story in conjunction with events that defined the times in which she lived and that shaped her life and her artwork. Kahlo's tragedies and triumphs are told, from her childhood to her debilitating accident, her moving self-portraits, her affair with Russian radical Leon Trotsky and her tumultuous marriage to muralist Diego Rivera.

Freestyle: The Art of Rhyme (2004)
Friday, August 25, 5pm
Monday, August 28, 7pm
English, 75 minutes
Director: Kevin Fitzgerald
The trailblazers and contemporary purveyors of freestyle rap rub elbows in this one-hour documentary chronicling the genre's genesis, taboos, societal influence and future. Recorded in Los Angeles, San Francisco and New York, the film rotates between off-the-cuff vocal performances and commentary from hip-hop mainstays such as Mos Def, Supernatural and the Last Poets. Featured artists include Lord Finesse, Craig G, Jurassic 5 and more.


Musical Saturdays:

Opera: Hector Berlioz's Les Troyens 

Saturday, August 26, 2:30pm 
Sung in French with English subtitles, 253 minutes
Starring Jessye Norman, Tatiana Troyanos and Placido Domingo
Berlioz's opera Les Troyens was the crowning effort of his life. Not performed in its entirety until a century after his death, the unique brilliance of his concept is now recognized, as testified most recently by this Met production. This, one of the grandest of all grand operas, was chosen by the Metropolitan Opera to open its centennial season in September 1983.

Kids' Cartoons
Saturday, August 19, noon
Free 

Musical Saturdays
Video-Opera: Tristan e Isolda
Saturday, August 19, at 2:30pm
158 minutes


Indigenous wisdom and ethics of the land

Bioneers Summer Film Series
Tuesday, August 22, 5pm
Teatro Santa Ana, Insurgentes 25, 50 pesos
On August 22, the final two films of the Bioneers Summer Film Series will be shown.
Every year at the annual Bioneers Conference, various indigenous peoples, including North American indigenous leaders, offer their wisdom and experience in plenary sessions and workshops.

These two films feature speakers Jeannette Armstrong and John Mohawk.

Jeannette Armstrong is a Canadian from the Okanagan people. An author and artist, Armstrong is also a renowned leader in indigenous and environmental education. She is a council member of the Okanagan Nation and an advocate of indigenous rights, serving on many international councils. In this address at Bioneers, she speaks of council ways, ethics of the land and how these can be integrated into environmental education. A quiet yet forceful speaker, Armstrong speaks movingly of her people and how they are preserving old ways, yet adapting to change. Her words on people, the land and translating council ways into land ethics are poignantly clear.
John Mohawk, of the Turtle Clan Seneca people, is an assistant professor of American Studies at the State University of New York and Director of Indigenous Studies in the Center for the Americas. He serves on the board of Bioneers and works to develop food products from traditional Iroquois white corn. In this film, he speaks on “The Art of Peace.” He addresses the issues of war and conflict, religious intolerance and scarce resources from the perspective of older traditions such as those of the Iroquois, who created frameworks for treaties of peace and friendship.

The films last about an hour and are followed by an optional conversation in the Café Santa Ana. 


Film documents US war machine

Film Series Why We Fight

Thursday, August 24, 3pm, Teatro Santa Ana, Insurgentes 25, 50 pesos
Directed by Eugene Jarecki, Why We Fight examines the extent to which the “military-industrial complex” (a term coined by President Dwight Eisenhower in his 1961 farewell speech warning about the permanent establishment of an arms industry) not only profits from war but also becomes a force that makes war happen. 

With the use of graphic war footage, a visit to a weapons trade show and interviews with politicians, ordinary citizens and retired military officers, Jarecki dispels the notion advanced by Presidents Johnson, Reagan and Bush that America has been a force for peace in the world. Instead what we see is a militaristic nation in which capitalism is at war with democracy—and capitalism is winning.

Made in 2005, Why We Fight was selected as the Best American Documentary at the Sundance Film Festival. The running time is 98 minutes.