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Dynamic Silence

By Aubrey Perry

Not only do these two artists live in adjoining homes, they are mother and daughter and both create their uniquely individual art using the ancient technique of encaustic. They use the encaustic medium very differently, allowing the viewer to experience the alchemy that lends itself to a dynamic relationship between the artist creator and her medium.  This technique of molten beeswax, tree resin and pure pigment has captured their passions for more than 15 years. Though their artistic directions differ, their artistic messages suggests a gentle silence; a silence that is not passive but opens the viewers’ awareness.

“Dynamic Silence”
An open house highlighting new encaustic
paintings by
Ezshwan Winding and Cynthia Hamilton
Sun, Mar 23, 1-5pm
Fray Pedro de Gante 31 & 33
Col. Independencia

Ezshwan’s newest series is figurative: women in a contemplative state. Cynthia’s soft colors and layering take the viewer deep into profound peace. Both artists invite you to visually enter the embrace of the luminous layers of wax.

Cynthia Hamilton studied art in Florence, Italy, and learned old masters’ techniques of working with wax. She has exhibited her art in San Francisco, Chicago and Mexico.  The medium of encaustic allows her to fuse and unify bee culture with personal stories. “At first what intrigued me the most about the technique was the prolific and balanced creation of beeswax. I wanted to start from there; the bees, the source.”

Hamilton’s work reveals a narrative into the profound analogy that humans share with bee society.

She lives in San Miguel and San Francisco and is very clearly on a path of development of her own personal language and style.

Ezshwan Winding began exhibiting her paintings over 40 years ago, starting in US galleries and continuing with shows in Spain, France and Italy.

Ten years ago she moved to San Miguel and has had many successful one-person shows in Mexican galleries as well as teaching over 86 classes in the encaustic technique.

Ezshwan’s classical training allows her to move from figurative encaustic to abstract. She said, “I love the physical demands of working with hot wax and resin, and am continually challenged by the expanding possibilities. After careful calculation, I realized I have spent 17,000 hours just making encaustic art. By now, I feel I can answer all my students’ technical questions, and I still want to continue experimenting with this technique.”

Ezshwan and Cynthia invite the public to view their home galleries, see a working encaustic studio, and enjoy at least a 20 percent discount on all art for this day only.


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